Yet another random horror, this time the movie that launched franchises of terror...
Frankenstein (1931)
Tags:
The man who made a monster
A Monster Science Created - But Could Not Destroy!
Director James Whale
Writer Peggy Webling (original play), John L. Balderston, Francis Edward Faragoh, Garrett Fort
Stars Colin Clive, Mae Clarke, John Boles, Boris Karloff, Edward Van Sloan
Certificate 15
Year 1931
Dastardly Plot
Do I have to really highlight something you know so well? Nutter scientist Henry Frankenstein (Colin Clive) and his hunchbacked assistant Fritz indulge in a little grave robbing to complete his dream of creating life from dead matter. However, when Fritz nicks the wrong brain from the university (he obviously missed the handy label on the jar reading ‘Criminal brain’) you realise things aren’t going to go to plan. In front of the horrified eyes of his friends and fiancé Frankenstein succeeds and, quite literally, creates a monster. But how long can it be before the creator turns on his creation and the poor thing is run out of town by an angry mob with torches and pitchforks. Oooh, I’d give it half-an-hour or so…
Vicious Verdict
While it is by no means the most faithful adaptations of Mary Shelley’s Frankenstein, the 1931 Universal Classic is the most respected and loved, and rightly so.
James Whale, influenced by German expressionist cinema built a world of creeping shadows and impossibly large rooms full of distorted and unnerving angles. In doing so he created just about every movie monster cliché in the book; mad scientists, hunchbacked assistants and OTT lab equipment abound from beginning to end.
The atmosphere is also greatly enhanced by the fact that in 1931 hardly any films had background music meaning that when we finally see the monster he just stands there immobile and in complete silence. The effect is far more unsettling than if it had a Hammer Horror devil’s cord ringing in the background.
But, of course, it is the monster himself that makes this movie. Karloff is quite simply superb, menacing and yet sympathetic, suddenly cruel and yet as tender as a lamb. The innocence of the brain-damaged teratism is never clearer as he reaches out as if to capture the sunlight.
This isn’t a murderer but a child who doesn’t understand the consequences of his actions. His initial violence is a reaction to the cruel treatment he receives at the hands of Fritz. This is never more obvious than in the moment when he flings a young girl to her death in the village lake. He had seen flowers float and therefore expected the child to do the same. No cruelty, no evil intent, just a misunderstanding.
It is a tribute to Karloff and his abilities that audiences can achieve so much empathy for the monster as by removing the power of speech from Frankenstein’s creature the film-makers had reduced Mary Shelley’s articulate creation to a growling, grunting hulk.
Thankfully we are left with a masterpiece of dramatic understatement.
Terrifying Trivia
* Bela Lugosi, fresh from his successful role in Dracula was originally offered the role of the monster, but turned it down as he had no desire to play a creature with no dialogue. He would eventually play the role in the 1943 movie Frankenstein Meets the Wolf Man.
* In the original cut Henry Frankenstein babbles "Now I know what it's like to be God!" On re-release in the late 30s, censors demanded the line be cut on the grounds of blasphemy. Recent video and DVD released feature the restored dialogue.
* The prologue to the film where Edward Van Sloan warns the audience that Frankenstein may shock them, perhaps even terrify them, was added after filming had been completed as the studio was worried that the movie’s themes would be too scandalous for the American public.
Quaking Quotes
"The brain you stole, Fritz. Think of it. The brain of a dead man waiting to live again in a body I made with my own hands!"
"Dangerous? Poor old Waldman. Have you never wanted to do anything that was dangerous? Where should we be if no one tried to find out what lies beyond? Have your never wanted to look beyond the clouds and the stars, or to know what causes the trees to bud? And what changes the darkness into light? But if you talk like that, people call you crazy. Well, if I could discover just one of these things, what eternity is, for example, I wouldn't care if they did think I was crazy."
High Points
The opening shots of the grave-robbing Doctor and his hunchback assistant are still chilling today and Karloff’s entrance is guaranteed to send a shiver down your back, as is his game with the little girl by the lake. A personal, if slightly more irreverent high point, is the Monster’s growl when he comes face to face with Frankenstein’s bride. Is that the re-animated corpse equivalent of winking at a girlie?
Low Points
Don’t try to think too much about the plot. For example how does the monster know where to find Frankenstein’s bride and why does he choose to attack her. Or how does the villager realise that the creature murdered his drowned daughter?
We also have to forgive the appalling comedy-relief happy ending that was tacked on to lighten the hearts of the audiences. How could they?
SKULLS OUT OF FIVE
THREE!